渾然天成,完美無瑕的大提琴與鋼琴對話:王健與薛穎佳的室內樂之夜

攝影:陳效真
  王健是我非常喜愛的音樂家之一。從他早期在Delos 的專輯、DG的布拉姆斯鋼琴三重奏開始,一直到與阿胥肯納吉(Vladimir Ashkenazy)合作的艾爾加大提琴協奏曲,以及最近出版的理查‧史特勞斯《唐吉訶德》,都是出版後必聽的專輯。過去欣賞他的現場演出多半是協奏曲,因此對他室內樂的現場演出格外期待。得知他在廈門閩南大戲院要演出一場曲目包括德布西、葛利格與法朗克大提琴奏鳴曲的室內樂音樂會後,立刻決定跨海前往。

  王健的音樂最吸引我的地方,在於他精準的技術與豐富的情感。他將東方傳統弦樂的細膩處理,自然融入大提琴這個西方樂器中。我特別喜愛他柔和的極弱奏(pianissimo),即使琴音細微如絲,也能牢牢抓住聽眾的注意力。這種獨特的音樂語言,讓他的演奏既細膩又充滿感染力。近年來,王健更開始深入反思藝術的本質。他曾分享,疫情期間的停頓讓他重新審視數十年的演奏生涯,領悟到「慢下來,是為了走得更遠」。對他而言,藝術不再只是技術與演奏,而是內心的對話與真誠的表達。他強調技術與情感必須並重,藝術家應像運動員般擁有扎實的基本功,又如詩人般追尋靈感。
攝影:陳效真
  音樂會曲目從印象派的德布西、到北歐浪漫主義的葛利格,再到法朗克的晚期浪漫主義風格,三首大提琴奏鳴曲最大的特點之一,就是鋼琴不只是伴奏,而是與大提琴形成平等的對話,甚至帶有競奏的張力。這次與王健合作的鋼琴家薛穎佳是個大驚喜。他在上海音樂學院師從陳宏寬,後赴比利時與義大利深造。他的演奏風格與王健十分契合,不僅技巧精湛,音色的層次處理也格外細膩,展現出獨奏家的迷人風采。就算王健拋出千變萬化的表情變化,薛穎佳也像個超級捕手,靈活而無瑕的予以應答。演出當晚,兩人的默契讓我誤以為他們已是長期搭檔,沒想到這竟只是他們第三次同台。

  德布西的大提琴奏鳴曲充分展現了鋼琴與大提琴的音色交融。鋼琴不再只是提供和聲背景,而是積極參與旋律的對話;大提琴時而低吟細訴,時而靈巧回應,織出一幅微妙的聲音畫卷。葛利格的A小調大提琴奏鳴曲洋溢北歐的民族氣息與浪漫情感。薛穎佳的鋼琴從靈動的琶音到層次分明的和聲,與王健的大提琴緊密交織,兩人在節奏與力度的互動中,賦予這首作品強烈的生命力。

  改編自小提琴奏鳴曲的法朗克大提琴奏鳴曲,除了原本就扣人心弦的旋律線之外,大提琴的低沉音色提供了小提琴所沒有的深邃溫暖。浪漫的吟唱,變成了深刻的沈思,獨有一種更具厚度的美感。王健在此曲充份發揮了他的音色控制絕技,力度控制從細膩的極弱到激昂的強奏,展現豐富情感;薛穎佳的鋼琴則以飽滿的音色與大提琴並肩對話,共同營造出情感濃烈又結構嚴謹的音樂畫面。
攝影:陳效真
  第一首安可曲選自拉赫曼尼諾夫大提琴奏鳴曲第三樂章,兩人以緊密的互動與深刻的情感,再次展現室內樂「傾聽與回應」的魅力。薛穎佳在音色與力度的精妙控制,證明他不僅是出色的合作者,更是一位能與大提琴平等對話的音樂家。第二首安可曲是蕭邦大提琴G小調大提琴奏鳴曲第三樂章,兩人好像很有默契的讓鋼琴角色更進一步突顯,讓薛穎佳展現了一段標準的蕭邦鋼琴語法,使整場音樂會的氣氛渾然一體,餘韻無窮。

  這場廈門閩南大戲院的音樂會,充分展現了王健與薛穎佳在室內樂上的精湛表現。王健以細膩的琴音與深刻的情感,帶領聽眾走進浪漫主義與印象派的美妙世界;薛穎佳則以靈動的琴鍵與敏銳的音樂直覺,成為完美的對話夥伴。三首曲目中鋼琴與大提琴的平等互動,淋漓盡致地詮釋了室內樂的精髓。期待未來再次聆聽兩人的合作,或許能聽到拉赫曼尼諾夫大提琴奏鳴曲的全曲,帶來更多感動與驚喜。
攝影:陳效真

Jian Wang has long been one of my favorite cellists. From his early Delos recordings to his collaboration with Vladimir Ashkenazy on Edward Elgar's Cello Concerto, and most recently Richard Strauss's Don Quixote, his albums are always a must-listen. I've mostly heard him live in concerto performances, so I was especially excited to attend his chamber music concert at Banlam Grand Theater in Xiamen, where he performed sonatas by Debussy, Grieg, and Franck.

What draws me to Jian Wang's playing is his balance of technical precision and emotional depth. His softest pianissimo can still deeply move the audience. In recent years, he has also spoken about reflecting more on the essence of music-making, seeing it as an inner dialogue rather than just a technical display. For him, true artistry requires both solid technique and sincere expression.

The program featured three major cello sonatas from different musical styles—Debussy's Impressionism, Grieg's Nordic Romanticism, and Franck's late Romanticism. In each, the piano plays an equal role with the cello, often in dynamic interplay. Pianist Yingjia Xue, though lesser known to me before, was a true revelation. A student of Hung-Kuan Chen and trained in Europe, Xue matched Wang's musical expression with flawless technique and rich tonal control. Their musical chemistry was so natural that it was surprising to learn this was only their third time performing together.

Debussy's sonata highlighted the blending of cello and piano timbres, with subtle shifts in texture and mood. Grieg's sonata brought folk-inspired energy and warm Romantic gestures, with tightly coordinated phrasing and strong rhythmic momentum. Franck's sonata, adapted from his violin sonata, gained new depth from the cello's darker voice. Wang's expressive tone and dynamic range, along with Xue's full-bodied piano sound, made this piece especially powerful.

The two encore pieces were by Rachmaninov and Chopin. The Rachmaninoff third movement was rich in emotion and dialogue, while the Chopin featured more prominent piano writing, giving Xue a chance to shine in the lyrical, elegant Chopin style.

This concert was a wonderful showcase of both musicians' artistry. Jian Wang led us into an expressive musical journey, while Yingjia Xue proved to be a sensitive and inspiring chamber partner. I look forward to hearing them again—perhaps in a complete performance of the Rachmaninoff sonata someday.

*This English version is a concise summary of the original Chinese article.*
德布西:D小調大提琴與鋼琴奏鳴曲,L. 144 (135)
葛利格:A小調大提琴奏鳴曲,作品36
法朗克:A大調大提琴與鋼琴奏鳴曲(德爾薩改編),FWV 8
王健,大提琴/薛穎佳,鋼琴
二○二五年四月二十七日,廈門閩南大戲院

DEBUSSY Sonata for cello and piano in D minor, L. 144 (135)
GRIEG Sonata for cello and piano in A minor, op. 36
FRANCK Sonata for violin and piano in A major (arr. for cello by Jules Delsart), FWV 8
Jian Wang (cello), Yingjia Xue (piano)
27 April, 2025
Banlam Grand Theater, Xiamen

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