王文升,聽一首還不夠

2026年9月22日,王文升(Vincent Ong)與琉森節慶弦樂團、小提琴家與指揮家德皓明(Daniel Dodds)於台北國家音樂廳合作莫札特第二十三號鋼琴協奏曲,並再次選用蕭邦大賽時使用的 Shigeru Kawai SK-EX。

比起技術本身,更讓我留下深刻印象的是他鮮明的音樂個性:音色細緻,樂句自然,處理有自己的判斷。安可曲的史卡拉第奏鳴曲尤其精彩,敏捷、俐落,也更直接顯出他的性格。只聽一首莫札特,還不足以認識王文升;演出結束後,我反而更想聽他完整的一場獨奏會。

On 22 September 2026, Vincent Ong joined Lucerne Festival Strings and Daniel Dodds at Taipei’s National Concert Hall for Mozart’s Piano Concerto No. 23, once again choosing the Shigeru Kawai SK-EX he had played during the Chopin Competition.

More than his technique, what stayed with me was the distinctiveness of his musical personality: a finely judged palette of colour, naturally shaped phrasing, and an interpretative voice very much his own. His encore, a Scarlatti sonata, was especially striking: nimble, crisp, and perhaps even more revealing of his character. One Mozart concerto is hardly enough to know Vincent Ong as an artist; by the end of the evening, I found myself wanting to hear him in a full solo recital.


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